
Yes. Oh, yes.
How do you fix an origin that’s inextricably tied-in with the character, especially after millions witnessed it in the 1990 Flash TV series starring John Wesley Shipp? The producers of the new TV series could have gone with one of the other Flashes, like Barry’s grandson from the future, Bart Allen. He was, perhaps, the cleverest fictional creation with super-speed, since he was an annoying adolescent with ADHD, called Impulse.
Choosing Barry for the TV show was the best bet, however, because he’s a Crime Scene Investigator. A super hero and a CSI? Talk about audience crossover! But two things had to be done with that origin. One: it had to be less random. Two: the most meaningful aspects of Barry’s story had to be culled from his decades in comics.
Even though Mark Waid, Johns, and others had done wonders with Wally West during Barry Allen’s decades as a dead man, fans never stopped clamoring for the return of their favorite Flash. In super hero comic books, it’s completely normal for characters to die and come back to life. It’s become so common that nobody took Batman’s death seriously several years ago. Barry’s demise in 1985 seemed like an easier death to undo than most, yet DC held firm that he wasn’t coming back. Perhaps it was because of Wally’s fatherhood and retirement, and Bart’s disastrous 13-issue turn as The Flash, that Barry’s return became possible.
Barry Allen was the one character who had always been a nexus for DC Comics rebirth. He had renewed the company with the dawn of the Silver Age, and he had been the first to bridge the gap back into the Golden Age. In the early ‘60s, he accidentally went to a parallel Earth and met the older Flash, Jay Garrick. Thus were born Earths One and Two. More Earths were added to the DC canon; one for every faltering comic book company it bought, like Fawcett (Shazam) and Charlton (Blue Beetle). After decades of crossovers, then combining of universes into one, then blowing them apart again, the sorting has been done: there are now 52 parallel Earths. Now Barry Allen is the primary Flash again, on the primary world, Earth 0. Yet within this more manageable continuity, lives can still be shaken up on a grand scale.
Barry’s most evil enemy used time-travel to alter history, scarring him permanently with childhood trauma that is arguably worse for fans to contemplate than Bruce Wayne’s initiation as Batman. Those of us who grew up on a diet of Flash stories took some comfort in Barry’s contentment. To mess with that, Eobard Thawne, the Reverse Flash, was the perfect villain for Johns to use as he updated Barry’s origin. In his psychopathic need to inflict as much pain on Barry as possible, Thawne time-travelled into Barry’s childhood, killing his mother before his eyes, and framing his father for the crime. He even appeared at times to invisibly bully young Barry, once knocking him down a flight of stairs. What better way to get nerds and geeks to identify with our hero than to scar him during childhood, with a rosy picture of what should have been just lurking in the background? For Batman, it had always been his destiny to see his parents gunned down. For the Flash, his happier destiny had been ruthlessly stolen.
Cue the TV series. At the CW network, Green Arrow had been successfully adapted into Arrow. They were using origin flashbacks as skillfully as Lost, had a companionable team to support their hero, and now they were ready to use that formula in a spinoff. In bringing the Flash to the screen, they borrowed a plot device that had worked on Smallville (kryptonite) to explain why there were so many super powered enemies around… and improved upon it. By creating a crisis event at Central City’s Star Labs, they not only made FX super powers more plausible, they also managed to fix that last nagging part of the Flash’s origin: the lightning bolt. Now it was no longer random. Now it was part of a far-reaching event.
.jpg)
.jpg)
No comments:
Post a Comment